I was getting ready to go to bed when my brother said, “Hey, you aren’t going to do a Saint Patrick’s Day post.” I was tired, but I said I would give it one try and see how my quick and dirty skills are holding up. I was happy with my quick draw skills and the rest is history.
Happy St. Patrick’s Day everbody. Don’t drink and drive. You know even my Leprachaun has a designated driver and he is a legendary magical creature.
1. The New York Times is introducing a graphic book bestseller list. There will even be separate categories for hardcover, softcover, and manga.
I don’t think I will give up my Wizard magazine just yet and what’s the deal with calling my graphic novel which itself is just a collection of comic books a chimerical graphic book. Baby steps…
2. The Smithsonian National Museum of the American Indian has opened an exhibit entitled “Comic Art Indigene.” That’s right comics are indigenous baby!
The origin of sequential art is depicted with rock art, ledger art and ceramics as its evolution toward the modern comic is revealed.
You see comics aren’t just taking over the world in their primal way they have always exerted more influence than they are given credit.
3. With a comic book fan in the White House, the geek-in-chief and hero of hope President Barack Obama helped Spidey release the best selling comic in over a decade.
4. Drawing from another New York Times headline, the financial crisis has a solution rooted in comic superheroes. Rob Cox and Antony Currie declare, “Citigroup, Turn on Your Bat-Signal.”
Here comes the Justice League to spare us a continued financial meltdown by being recruited as the first ever superhero board of directors.
Virtual reality or at least the prospect of it has been around for quite some time. The results have thus far been rather disappointing, but now a team of British academics thinks they have got it all figured out.
“A virtual reality helmet that recreates the sights, smells, sounds and even tastes of far-flung holiday destinations has been devised by British scientists.
Armchair travellers wearing the device will be able to hear the roar of lions on safari, smell the flowers of an Alpine meadow or feel the heat of the Caribbean sun on their face – all from the comfort of their sitting room.” –Daily Mail
Video games, travel, education, business meetings it all sounds great, but what I really want to know is what it would feel like to experience art like this:
Imagine art that you could feel, taste, smell, and experience in a comprehensive environment. If it were an art piece in the desert you could feel the heat and taste the sand all to the sound of some Bedouin music. If it were a piece on the ocean you could feel the ocean breeze and the mist of water on your face, taste the salty air, and hear the relentless crashing of waves. The prospect of designing a reality for your artwork is something I would love. It would be a kind of artist’s Matrix.
I only put such an absurd headline to paper to highlight by ridiculous overstatement the sheer madness of viewing a Kindle 2.0, 3.0, or a future Apple e-reader as a potential killer of the print comic as suggested in the article by the equally absurd headline “Could Kindle Kill Comics?” which was recently featured on Yahoo News.
The principle argument suggesting a print comic apocalypse surrounded a quote by a DC comics executive who declared at New York Comic Con that, “[Comic books are] a business that is very low margin and very low print run, so if 10 percent of the readers migrate to an e-device, that is going to throw off the economics for 60 percent of the books that are published in this country.”
First off, color e-ink is not right around the corner and is still somewhat in its infancy. Given that the low power e-ink is a principle selling point for the Kindle, the notion of offering color comics in the near term is just not on the table at least yet. Four shades of grey are just not going to cut it.
At the same time, the Kindle might offer an interesting outlet for existing Indie Comics and webcomics which happen to publish in black and white. Zero printing costs and a means of distribution sounds like an awfully sexy niche even while it won’t turn the comic world on its head.
It is equally ironic that the likes of DC and Marvel are suggesting that future e-readers would distinctly effect the economics of low margin smaller run print comics. It could just as easily be argued that a true color e-reader would offer a more economically sound means of distribution with lower costs for these marginally profitable books. There is nothing to fear inherently from changing economics if you are willing to adapt. Learn from the stupidity of the music industry will you?
Big time comic books have increasingly become about creating a base of support for a blockbuster picture that later grosses hundreds of millions. Marvel and DC are exploring new avenues in webcomics, motion comics, and subscription models any of which may forever change the economic landscape for print comics. I actually view it as a very positive sign that they are doing so.
However, in the end nothing will replace my print comic: its feel, the reading experience it provides, or its collectibility. It is a false choice to present this kind of either or scenario. I enjoy the prospect having my comic experience enriched and supplemented by motion comics, films, eBooks, or whatever the latest and greatest that comes along. I may keep a wary eye on the future of comics lest my weekly pilgrimage to the comic book store be rendered a quaint tradition of a bygone era, but us comic fans are early adopters after all and on the balance I choose to embrace the future rather than be threatened by it.
At the beginning of Coraline, one is presented with a lonely heroine grabbing a divining rod and wistfully following its lead. Instantly, I was brought back to when I was kid where I could be free to follow my imagination wherever it took me. It was a nice first step down the rabbit hole.
Based on the children’s book by Neil Gaiman (of The Sandman fame), the film is a marvelous display of imagery courtesy of the stop-motion genius of Henry Selick who also directed Nightmare Before Christmas.
Coraline is an isolated little girl living in a new environment with busy parents who seem to pay her little concern. An annoying neighbor boy named Whyborn (constructed especially for the screenplay), two bizarre has-been burlesque actress spinsters, a bizarre Russian gymnast, and a trickster black cat voiced by Keith David (the voice of Spawn and Goliath in the TV show Gargoyles) are her only companions.
Coraline finds a door in the wall to another reality in which her parents are attentive and loving, but in which everyone has horrific buttons sewn over their eyes. The alternate reality first is presented as the ultimate escape for an unhappy girl, but as the dream reality and the real world begin to blur, it quickly descends into something much more sinister.
Comparisons to Alice and Wonderland abound, but the movie visually breaks new ground that reinforces tried and true themes in novel ways. I have always found myself partial to these types of magical realities.
I really don’t want to give away more than that except to implore you to support this film and the artists who made it. The garden scene in particular will blow your mind with vivid colors and an amazing praying mantis tractor.
The “other mother” is also one of the best character designs I have seen for an evil witch in a while. She is certainly up there with some of the most menacing witches in film bettering some of my favorites like the Grand High Witch from Ronald Dahl’s Witches, the witch mother of the Sheriff of Nottingham in the Prince of Thieves, the Wicked Witch from the Wizard of Oz or any of the Disney witches including those from Snow White and Sleeping Beauty.
As an artist, I am simply blown away by the surrealistic vision that was put on screen and this marvelous presentation of the dream reality. Unlike the sleek and smooth perfection of the CG realm, I could see and feel the textures of Coraline. Even the slight imperfections conveyed an eerie feeling that stayed with me throughout the movie.
My artist’s instincts believe in imperfection as a basis of conveying a reality even in a completely fantastic form. Whenever, I watch a CG film I can’t help but feel that I am being lied to. There is no doubt that Selick has achieved a new state of the art in stop-motion animation managing its weaknesses and exploiting its artistic advantages to great effect.
Watching Coraline, I just couldn’t stop thinking about the state of film animation in general. The CG Pixar films, Kung Fu Panda, Shrek, ect. have their place and I enjoy many of them, but frankly a lot of what we have been getting lately has not been all that great. It is like the difference between a digital painting and oil painting. In Coraline, I could feel the brush strokes and it didn’t feel like a lie. It was a little reality constructed painstakingly by hand.
Coraline certainly pushes the limits of what a child can handle, but I noticed a lot of children in the movie theater. In fact, I think a child exiting the theater summed up the film best. Her mother asked her how she liked the film to which she responded, “It freaked my head out.” I found this a most appropriate response to a movie that contained both a child’s greatest fears and wondrous dreams. It freaked my head out too and I loved it!
As a little bonus, check out the HBO First Look featuring Coraline and just try not to jump out of your chair to see the movie if you haven’t already:
I was looking at my total number of posts the other night and I realized that I had crossed the 100th post threshold. The milestone was crossed with my “Desert Treegrower” post. I guess I am in such a groove I didn’t even notice let alone mark the occasion until now. Better late than never.
In my follow up to “Desert Treegrower,” I posted a very similar scene entitled “Grow Roots.” The timing of the these posts strikes me as somewhat ironic. This blog has been a big part of my effort to “grow roots” and make an additional place for my ideas and my art. Day by day and sketch by sketch I have taken root and my roots have grown stronger. The vast internet has seemed a little less inhospitable to a lone artist.
I indulgently quoted myself in the post accompanying “Grow Roots” and I find those words echoing in my mind today as I reflect on that occassion: be free, create, and grow roots. It is a superb feeling to know that you have followed your own advice.
Last week, lawmakers of the Senate and House passed the final version of the economic stimulus package. There are a lot of valid reasons why some treat the bill with skepticism, but there is one component of the stimulus bill in which I personally rejoice in as an artist. The provision that survived intense scrutiny was $50 million in funding for the National Endowment of the Arts(NEA).
It was rather unbelievable to me as I heard some lawmakers rail against the funding of the NEA depicting it as wasteful and non-stimulative pork. Nothing could be further from the truth. In fact, aside from the civic and cultural benefits of the arts in general and that kind of intangible benefit to society, there are many reasons to regard funding of the arts as distinctly beneficial on economic grounds alone.
1. Artists are small business owners and nearly one in three are self-employed.
The conclusion must be that supporting artists supports small business which there seems to be broad consensus on.
2. Research by Americans for the Arts shows that nonprofit arts organizations generate “$166.2 billion in economic activity every year, support 5.7 million jobs, and returns nearly $30 billion in government revenue every year.”
Not bad for a bunch of lazy bohemians eh?
3. Every $1 billion in spending for the arts supports almost 70,000 full time jobs.
Now math was never my strong suit, but that comes to about $14,000 per full time employee which strikes me as downright efficient way to put America back to work.
4. In fiscal year 2008, every $10,000 of grant money supported 162 artists.
While I have never been the distinct beneficiary of NEA funds, an artist can dream can’t he? Regardless, the efficiency here is again remarkable and it shows how a relatively small investment goes a long way in the arts.
5. The tightening economy has already caused many arts organization to cut back.
Out of this $800+ billion dollar behemoth $50 million to put artist to work is tiny. More jobs equals economic stimulation equals happy economy.
I think the list above is reason enough to be convinced that artist provide a tangible economic benefit and ought not be regarded as pork, but rather as an integral part of the stimulus plan. If you are still not convinced I recommend reading a study prepared for the National Governors Association called “Using Arts and Culture to Stimulate State Economic Development.” Who would have thought that artist help create jobs, generate tax revenue, positively impact tourism and consumer purchases, provide creative insight in industry, and often play a significant role in community redevelopment and thus the economic development therein?
Art to me is more than dollars and cents. I could do a whole post on the intangible benefits of arts to a society. In fact, given the distinctly economic tone here I think I must, but there is no denying artists and they’re creative endeavors represents a huge boon to a dynamic economy.
That being said, please support funding for the arts and when the spirit moves you, get off your ass and buy some art!
It has come to my attention that I was nominated and have won the “Best Blog of the Day Award” for Saturday February 14th, 2009. I am glad to see that some benevolent soul nominated me and that somebody took notice. It is an honor and I very much appreciate the recognition. Jay Zuck’s Simian Nation marches on!
I designed this logo for a fantastic organization called Iemanya Oceanica. It was intended to be used for a promotional material Iemanya was sending to some of their generous lawyer friends and donors. It was actually my Dad’s idea to riff on the concept of a lawyer as a shark. I thought the idea was pretty funny and it made for an interesting logo.
Iemanya is a non-profit organization dedicated to the conservation of sharks and rays and their habitats. Iemanya supports research, provides environmental education, and promotes sensible environmental policy.
It really frightened me to learn that possibly as many as 100 million sharks are killed in a given year. Many of them have their fins lopped off and are brutally thrown back in the ocean to die all of the sake of shark fin soup.
The numbers are staggering and there are many good reasons to preserve this apex predator. Don’t buy the hype portraying sharks as mindless and viscious maneaters and if you are feeling particularly ambitious I encourage you to adopt-a-shark today.
“In the places I go there are things that I see
That I never could spell if I stopped with the Z.
I’m telling you this ’cause you’re one of my friends.
My alphabet starts where your alphabet ends!”
~Dr. Seuss from “On Beyond Zebra”
Dr. Seuss is a major influence of mine. As a child, I had his books read to me and have since re-read them many, many times over. Maybe more importantly, both as a child and as an adult I have scrutinized every line of every character he drew in those books. His playful style with a hint of a dark side is an aesthetic which I often incorporate in my own art.
It seems like more than a coincidence that I came across a number of Dr. Seuss references in the last week. It started with the discovery of a “Seuss-like” sea creature off the coast of Australia and was further cemented when I came across this video of Cat Steven’s “Where do the Children Play?” dubbed over Dr. Seuss’s “The Lorax.” The video in particular struck a resonant chord especially since I was amidst a week in which I was focusing on childhood and children in my sketches.
It is my birthday today and I am one year older, but I am nonetheless resolved not to become an “obsolete child.” I may yet rediscover myself where the children play.
I am illustrator in the entertainment arts focused on visual development, character design, layouts, concept art, and anything in the realm of visual storytelling. Around these parts though, I'm letting it loose Simian Style and devolving into a higher state of consciousness on the boundary of an infinite-dimensional manifold in quasi-time. There's plenty of room down this rabbit hole! Learn more About Me and check out the Portfolio.